Showing posts with label black paper. Show all posts
Showing posts with label black paper. Show all posts

Sunday, September 22, 2013

Self Portrait

White-out on Black Paper
 
As a promo for the Ephemera Group Show at the Philadelphia Library Company in Center City Philadelphia we creative participants were asked to create our own silhouette

Saturday, May 25, 2013

Ephemera Exhibit - Progress Shot

A sneak peek at one of my submissions to be completed for the Group show in conjunction to the current Library Company of Philadelphia exhibition.
  More information here: Library Company Blog
Plus, a painting inspired by this Printing promo has just been started. More to come! 


Saturday, March 23, 2013

Metamorphosis

2 pages of thumbnail sketches
Finish sketch and tonal study
Unused Lead pencil drawing and digital coloring
Left image: A color experiment
Right image: The actual digital layer of the 
coloring of the dragonfly below
Finished art
Left image: The original white pencil on black paper drawing
Right image: My new business card
   
My new business card, when folded, is the size of the standard business card.
But, also hints at flapping of wings when opened and closed.



Tuesday, February 19, 2013

Floating Near Optimism


White Chalk on Black Paper








Color Version (Photoshop)



Wednesday, July 27, 2011

Saturday, February 26, 2011

Friday, January 28, 2011

In Progress...

While the new canvases continue to receive their multiple coats of primer. I have been spending my free time drawing this sculpture of a angel recently given to me as a possible inspiration for a drawing.


Sunday, December 12, 2010

Figure Drawing

This drawing is the result of a rare opportunity to be able to work with a male model.

Sunday, January 31, 2010

Philadelphia Sketch Club Drawings

Here are two drawings recently done at the Philadelphia Sketch Club. Each drawing was done during a three-hour drawing session. At the beginning of the session, everyone sketches 5 different poses are performed at 4 minutes each. One pose is chosen after this 20 minute period. Then the model repeats the chosen pose for about 3 hours -- twenty minutes in pose with ten minute breaks in between. The ten minute breaks are just as important a time for me to draw; it is during this time that I can clean up or refine the section I had just drawn it.
As I begin these drawings, I am trying to see what I don't have to draw. Not drawing in such things like the tall candle stick, the woman's hair, or the man's shoulder in a shadow on his right side creates a more dramatic effect. Plus, it's make it easier to complete the drawing within the three hours. Both reasons are equally important!